How to Build a House of Cards: the Comprehensive Guide to Living With OCD   — Alethea Lohse

Step 1: 

Create a sturdy foundation using only inherently unstable materials.  

Obviously,  

you know 

it’s irrational.  

Your hands must be spotless.   

You’ve now washed them  

long enough that the water’s run cold 

but you can’t  

stop. 

 

You scrub the soap in  

so frantically, the skin on your palms 

breaks.  Blood stains 

white suds peony pink.  

Burning, torn flesh  

washes down to clog the drain  

 

and you 

   are still  

 

   not  

 

 

clean. 

  

Step 2: 

Cautiously stack upwards, risking destruction with every addition.    

“Healing” looks like a small, warm office– 

glaring fluorescent lights,  

a sofa that seems to swallow you.  

  

Therapy is yet another routine,  

comforting in its familiarity.   

The easing scent of artificial citrus,  

a sharp, cooling taste of mint.    

The same questions,   

the same answers.  

  

“Are you aware these behaviors aren’t healthy?”  

“Is this your way of maintaining  

control?”  

 

“What are you  

so afraid  

of?”  

  

Step 3:  

Repeat the delicate balance, again and again and again and again.    

You live your days walking a tightrope.  

Step, by shaky step, staring   

into the abyss of madness gaping, 

endless and waiting  

 

at your feet.  

 

You do not know if  

those rituals and routines you cling to 

are the fraying     highwire,   your   last  

salvation— 

or the looming void  

that threatens to  

consume you.   

  

Step 4:  

Be ready for it all to come crashing down around you.    

A house of cards can never last long.   

No matter how careful,  

 

Shaking hands   

 

always   

 

eventually   

 

 

slip.   

  

Paper-thin   

 

pieces of  

yourself  

flutter  

down  

onto  

the  

floor.  

  

  

You pick them 

  back up  

and  

 

you try  

 

 

again.   


Alethea (Jamie) Lohse is a young queer artist in her senior year at Douglas Anderson School of the Arts Creative Writing Department. She explores all genres in her work but specializes in sequential art, Southern Gothic fiction, and free verse poetry. She currently serves as Community Engagement Director for Élan International Student Literary Magazine and hopes to study anthropology in college.

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